by Wally De La Fuente
“The Marvels,” directed by Nia DaCosta, is a film that dances on the edge of brilliance and confusion, a tightrope act that is both its strength and downfall.
Nia DaCosta’s direction shows promise, despite her remote completion of the film due to scheduling conflicts. Her departure from traditional on-site direction, though unusual, was not unprecedented in filmmaking. DaCosta adapted to these challenges, finishing post-production in the United Kingdom. This move, while necessary, might have impacted the film’s cohesion, though DaCosta stated that her vision and that of her crew remained clear throughout.
Brie Larson’s portrayal of Captain Marvel reveals a matured and more engaging character than her previous outings. Larson brings a depth to Carol Danvers, indicating a deepened understanding and comfort in the role. This evolution is a refreshing shift, adding layers to a character that previously seemed more monolithic.
Iman Vellani, as Ms. Marvel, is a revelation. Her performance is brimming with energy and charisma, portraying Kamala Khan as a relatable and endearing hero. Vellani’s portrayal stands as a highlight, bringing a much-needed freshness to the MCU.
However, the film’s ambitious nature is its Achilles’ heel. The narrative, cluttered with multiple storylines and characters, struggles under the weight of its own complexity. This clutter is perhaps a consequence of Disney’s influence, aiming to please a wide audience but losing narrative focus in the process.
The singing sequence on the planet Aladna, initially jarring, eventually finds its rhythm. This sequence, initially intended to be longer and more elaborate, was cut down, much to the disappointment of Vellani, a self-proclaimed musical theater enthusiast. The sequence, while at first seeming out of place in the MCU, eventually adds a unique charm to the film, showcasing a willingness to experiment with genre conventions.
Not to be overlooked are the film’s feline elements. Goose, the adorable cat from “Captain Marvel,” returns, adding a light-hearted and whimsical touch to the narrative. His presence, though seemingly minor, contributes to the film’s charm and appeal, resonating with audiences who enjoyed his antics in the previous film.
In conclusion, “The Marvels” is a film of contrasts. It excels in character development, particularly with Larson’s and Vellani’s performances, and dares to experiment with musical elements. Yet, it stumbles in its convoluted plot and tonal inconsistencies, likely a result of external studio influences. It’s a film that will entertain and perplex in equal measure, a testament to the ever-evolving nature of the MCU.
Be sure to watch the original 1941 serial Captain Marvel on ReDiscover Television!
